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In 2010, Hammer revitalized itself as a new name in the horror game and released Matt Reeves' acclaimed Let Me In, soon followed by the Daniel Radcliffe-led remake of The Woman in Black. Hammer's most recent release was Doctor Jekyll, featuring Eddie Izzard as Dr. Nina Jekyll (and her alter ego, Rachel Hyde) in a modern retelling of the classic Robert Louis Stevenson story, which premiered at London's FrightFest in August 2023. With any luck, Hammer will continue its reign of terror for decades to come. This site is my homage to the series where you will find information on each episode, plus filming locations and other items of interest related to the filming of the series.
London, Fleet Street
With a cast including Diana Dors, Peter Cushing and even the future James Bond Pierce Brosnan, the horrors played out in a world of everyday people, provincial English towns, smoking in pubs, creaky village antique shops, regional accents and full-English breakfasts. This was not even the climax of The House That Bled to Death, part of British horror studio Hammer’s TV venture, Hammer House of Horror. That would come when the truth about the birthday girl’s duplicitous parents was revealed – and, indeed, they got their reward. But it was this bloody scene that would become, for many, the defining memory of one of the creepiest programmes ever shown on British television. Forty years ago this month, ITV broadcast a children’s birthday party that no one in attendance would forget. As a group of kids gathered on screen for jelly and games, a torrent of brilliant red Kensington gore suddenly came from above, soaking everything and everyone in the room.
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When Miss Froy disappears, and no one but Amanda has any recollection of her, the heiress enlists a photographer (Elliott Gould) to back her up in uncovering the truth behind the missing woman. Perhaps the most famous episode in Hammer House of Horror, thanks to its delightfully over-the-top centerpiece scene, is also one of its very best. “The House That Bled to Death” follows the classic “family buys a house with a dark past because it’s cheap” formula, then twists it in wonderfully ironic ways that fit the darkly comic aesthetic of some of the best Hammer stories.
Current films
Tom goes back to their car to collect some things, but is attacked by a half-human creature covered in fur with yellow eyes. When he returns to the house, he and Sarah hear howling coming from the woods. Later that night in their room, Sarah is horrified when she sees the face of a werewolf at the window. Finding their bedroom door locked, Tom climbs out of the window to investigate, but falls while climbing the drainpipe. Meanwhile, the werewolf enters their bedroom through the house and attacks Sarah as Mrs Ardoy and the children watch in delight. In the latter part of the 1970s, Hammer made fewer films, and attempts were made to break away from the then-unfashionable Gothic horror films on which the studio had built its reputation.
Janet wakes up in hospital unharmed with her son, and is told that Martin underwent emergency neck surgery and cannot talk for the time being. The local policeman questions Janet, who says she can't remember anything after the crash, but that the attacker had long nails on his right hand. She is then told that the attacker was killed in the crash and his right hand is missing, hence the nails can't be seen for identification. After Penny's body is taken away by the medics, Gupta takes off his disguise, Charlie reappears in person, and they begin celebrating their "success" with Harry and Margaret.
William and Emma Peters (Nicholas Ball and Rachel Davies) move into a house with their young daughter Sophia, but are apparently unaware of its history. Powers (Milton Johns), but the house was the site of a gruesome murder in the 1950s when an elderly man poisoned and hacked his wife to death. Soon, strange happenings begin, with creepy noises, doors that shut and do not open, leaking gas pipes, the appearance of bloodstains on walls, and even the slaughter of Sophia's pet cat by an unknown force.
The House That Bled to Death
A mother of three children under four years old was met with a “terrifying” surprise after she and her husband investigated why a handful of bees had flown into the attic of the couple’s North Carolina home. Peter Cushing and Christopher Lee appeared in none of the Mummy sequels, which had stories and characters unrelated to the 1959 film and all three were relegated to second feature status, as by the mid-1960s, Hammer's films were often intended for double features. Often two films would be shot back-to-back with the same sets and costumes to save money, and then each film would be shown on a separate double feature to prevent audiences noticing any recycling, as for example in The Plague of the Zombies and The Reptile (both 1966). The Curse of the Mummy's Tomb supported the slightly more prestigious The Gorgon, whilst The Mummy's Shroud was a second feature for Frankenstein Created Woman. "Because of the fantastic business done world-wide by Hammer's Technicolor version of Dracula, Universal-International, its distributors, have made over to Jimmy Carreras' organisation, the remake rights to their entire library of classic films." The Abominable Snowman of the Himalayas is not available to watch or rent.
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The Mummy is an exceedingly elegant and creepy horror picture that seamlessly blends its action and adventure elements. Hammer's final release during its peak period was this Anthony Page-directed, made-for-television remake of Alfred Hitchcock's 1938 film. Cybill Shepherd stars as Amanda, an American heiress on a cross-country train trip in pre-war Nazi Germany, who befriends a kind older woman, Miss Froy (Angela Lansbury), during the journey.
Horror of Dracula (
He investigates, and discovers a web of sex, incest, and Satanic possession. The film was an enormous success, not only in Great Britain, but also in the U.S., where it inspired numerous imitations from, amongst others, Roger Corman and American International Pictures (with their series largely based on Edgar Allan Poe – the so-called "Poe Cycle"). It found success on the European continent also, where Italian directors and audiences were particularly receptive. The project was handed to Tony Hinds, who was less impressed with the script than Michael Carreras, and whose vision for the film was a simple black-and-white 'quickie' made in three weeks. Concerned that Subotsky and Rosenberg's script had too many similarities to the Universal films, Hinds commissioned Jimmy Sangster to rewrite it as The Curse of Frankenstein. Sangster's treatment impressed Hammer enough to rescue the film from the 'quickie' treadmill and to produce it as a colour film.
She notices Chuck's coat at the store and immediately goes to the local police but they simply advise her to wait a while longer for his return before they act. Annie investigates the store at night and finds Chuck trapped in the cell, and runs to seek help. It is revealed that Martin is a former Nazi concentration camp official conducting bizarre experiments on human beings and animals, and wanted to use Chuck as a human subject. Annie returns to help Chuck but is pushed into the cell by Martin, who closes the trapdoor.
Shenley and Lolly go to another apartment to discuss another sale, where they find that the place is desolate and is being demolished, with them stuck in it. Shenley runs to safety outside, and is met with by Rayburn who repeats the same sentence. His wife, already knowing that he has an affair with Lolly, calls the doctor, and it is revealed that he has a brain tumour, which needs emergency surgery. During the surgery, performed by Rayburn, Emily and Lolly, Shenley dies and is put in the mortuary—at which point he wakes up again beside his sleeping wife, after his fifth nightmare. Film music composer David Winter (Jon Finch) lives with his actress wife Mary (Prunella Gee) in a secluded farmhouse.
In the U.S., A&E Home Entertainment, under license from Carlton International Media Limited, released the complete series on Region 1 DVD in 2001. Edwyn wakes up in the hospital, and is told by Harris and Dr Manders that he had an attack of severe delusion of persecution, and now he is better as he has responded to medication. They decide to send him back to his old job as an operation theatre assistant. Edwyn hears on the radio of three nurses who have died by an undiagnosed viral infection of the brain in the country. Back home he finds Stella, but is reminded of his mother and sees her body in the freezer, after which he again develops delusions. Newly appointed morgue worker Edwyn Bord (Peter McEnery) becomes obsessed with the number 9, which is being often repeated to him in his everyday interactions with people and experiences.
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